This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.
You've probably heard that retired couturier Valentino Garavani (b. 1932) will soon launch a virtual museum showcasing highlights from his five decades in fashion. Slated to launch on December 5, the virtual museum will use 3-D technology to... Read Article ››
Madeleine Vionnet evening gown
Evening gown Madeleine Vionnet c. 1936-1938 Museum Purchase, Funds provided by Mrs. Tonian Hohberg 2008.5.50AB The first time I saw this Madeleine Vionnet halter evening gown, I had a hard time reconciling it with my knowledge of Vionnet's work.... Read Article ››
André Courrèges mini-dresses
André Courrèges first solo collection of 1961 was inevitably compared to the work of his mentor and former employer Balenciaga. Consisting of day suits, dresses and evening wear, Courrèges' first collection was said to be, "decidedly... Read Article ››
Dressing for a royal wedding
If you've been following media reports regarding the wedding of Kate Middleton and Prince William, this advice will sound familiar. For women attending a royal wedding, "hats are required, and there will be lots of big brims and fitted... Read Article ››
“The Art of Dressing Has Never Been Manifested with So Much Brilliancy”: Fashion and the Paris Exposition of 1900
Did you know that working at a museum requires ace detective skills? In this blog post, Associate Curator Christina Johnson describes her research on a evening gown in our collection. This research, aka sleuthing, led to a wealth of knowledge about... Read Article ››
Newsprint fashion
A Paul Poiret c. 1911 tunic and the daily newspaper--what do they have in common? At first, the relationship between a haute couture creation and the local newspaper might seem almost non-existent, however, both are communicative devices that convey... Read Article ››
Win a copy of Paris 1962!
Hello readers! Paris 1962: Yves Saint Laurent and Dior, Christian Dior, The Early Collections documents the world of early 1960s haute couture. Featuring images of tastemakers, fashion icons and the garments themselves, it offers a glimpse into an... Read Article ››
Mainbocher
Based on his experience as a Paris-based illustrator for Harper's Bazaar and editor of French Vogue, Chicago-born Main Rousseau Bocher (b. 1890) decided that he was entirely capable of opening his own couture house. He did so in 1930, first... Read Article ››
Traveling in High Style, part 2
Dani Killam, Assistant Registrar, wrote this post about the process of packing an exhibit for shipment to another museum. To read more about how we organize and prep for this process, read our recent post Traveling in High Style.“It’s a puzzle!” This... Read Article ››
Traveling in High Style
Have you ever wondered how a complete exhibition gets from one museum to another? In this post, FIDM Museum Registrar Meghan Grossman Hansen fills you in on the process.This month, the FIDM Museum’s award-winning exhibition High Style: Betsy Bloomingdale... Read Article ››
James Galanos cocktail dress, c. 1955
During the 1950s, French haute couture was a dominant force in fashion. Elite American women traveled to Paris and purchased their wardrobes directly from renowned couturiers, while many others experienced haute couture through mass-produced versions of the... Read Article ››
Koos van den Akker
In a Koos van den Akker garment, fabric is always the focal point. Not just a single luxury fabric, but a riotous mix of fabric patches and panels combined into a surprisingly unified whole. According to the designer, his garments always "start with the... Read Article ››