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As we've discussed here, here and here, many of the objects in our collection are donated. Our donors are extremely generous, and we've been gifted with many wonderful pieces over the years. To round out our collections, we also purchase objects. In this post, FIDM Museum curator Kevin Jones describes this process and reveals Read More »
As we described in this post a few weeks ago, interns and volunteers are a tremendously important part of the FIDM Museum. We appreciate their varied efforts on behalf of our many objects! Today, recent intern Jasmine Helm describes her work with our collection of croquis.*************************************************************** As an art history major with a desire to Read More »
Dani Killam, Assistant Registrar, wrote this post about the process of packing an exhibit for shipment to another museum. To read more about how we organize and prep for this process, read our recent post Traveling in High Style.“It’s a puzzle!” This phrase is often used in the FIDM Museum office when talking about organizing Read More »
Have you ever wondered how a complete exhibition gets from one museum to another? In this post, FIDM Museum Registrar Meghan Grossman Hansen fills you in on the process.This month, the FIDM Museum’s award-winning exhibition High Style: Betsy Bloomingdale and the Haute Couture is hitting the road. A slightly modified version of the exhibition will Read More »
In a Koos van den Akker garment, fabric is always the focal point. Not just a single luxury fabric, but a riotous mix of fabric patches and panels combined into a surprisingly unified whole. According to the designer, his garments always "start with the fabric. Silhouettes come later."1 Though van den Akker apprenticed at Christian Read More »
Today's post on Howard Greer was written by costume historian Shelly Foote. From 1994-2004, Shelly worked with the Costume Collection at The National Museum of American History as the Assistant Chair in the Division of Social History. Retired since 2004, Shelly is closely involved with the Costume Society of America and is also researching a Read More »
A well-designed and well-installed museum exhibit appears effortless, as if the objects on display were always meant to be viewed in that exact context. Despite this apparent ease, museum exhibitions require a tremendous amount of long-range planning. Christina Johnson and Kevin Jones, co-curators of High Style: Betsy Bloomingdale and the Haute Couture spent three years Read More »
High Style: Betsy Bloomingdale and the Haute Couture October 21, 2009-December 13, 2009 Wednesday-Sunday 10am-4pm Evening gown Gianfranco Ferre for Christian Dior 1989-90 Gift of Mrs. Alfred Bloomingdale 2001.116.13 “High Style: Betsy Bloomingdale and the Haute Couture” celebrates a donation of over 100 Haute Couture garments given to the FIDM Museum at the Fashion Institute Read More »
High Style: Betsy Bloomingdale and the Haute CoutureOctober 21, 2009-December 13, 2009 We couldn't wait any longer to tell you about this exhibition! We hope that all of our readers will all be able to attend, but for those who are outside the Los Angeles area, we will be featuring a number of exhibition Read More »
Because of our location in Los Angeles, the FIDM Museum is fortunate to house costumes from a variety of Hollywood films. Many of these costumes are associated with the early years of the film industry and were worn by stars such as Marlene Dietrich and Rudolph Valentino. You can look forward to seeing some of these Read More »
