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Evening gown c.1959 Ferdinando Sarmi Gift of Mrs. Clarissa Dyer S2003.794.29AB From 1951 to 1958, Ferdinando Sarmi designed made-to-order evening gowns for Elizabeth Arden. These creations were worn by women involved in the social whirl of "great balls,... Read Article ››
Sketch to Screen exhibition at the Oklahoma City Museum of Art
As we told you in this post, eight costumes from the FIDM Museum collection are currently on exhibit in Sketch to Screen: The Art of Hollywood Costume Design at the Oklahoma City Museum of Art. Consisting of more than 85 original garments and accessories, the... Read Article ››
Carolina Herrera evening gowns
Even before launching her own line in 1981, Carolina Herrera (b. 1939) had established a reputation for elegance and personal style. As an adolescent, she sometimes accompanied her grandmother on haute couture buying trips to Paris. When at home in Caracas,... Read Article ››
The ‘Little Girl’ look and nostalgia in fashion
During the later years of the 1960s, the '"little girl" look was prominent in fashion. Many women dressed in loose, A-line shift dresses similar to those worn by little girls and accessorized with items (hairbows, headbands, flat shoes)... Read Article ››
Traveling in High Style
Have you ever wondered how a complete exhibition gets from one museum to another? In this post, FIDM Museum Registrar Meghan Grossman Hansen fills you in on the process.This month, the FIDM Museum’s award-winning exhibition High Style: Betsy Bloomingdale... Read Article ››
James Galanos cocktail dress, c. 1955
During the 1950s, French haute couture was a dominant force in fashion. Elite American women traveled to Paris and purchased their wardrobes directly from renowned couturiers, while many others experienced haute couture through mass-produced versions of the... Read Article ››
Evening glamour, c. 1922
Evening dress c. 1922 Gift of Laura Stoneman 96.657.2 During the 1920s, nightlife was an important aspect of popular culture. In the United States, the Prohibition of alcohol led to the rise of speakeasies, where patrons could dine, dance and drink in an... Read Article ››
Pantsuit dressing, c. 1972
As described in this recent post on our Sonia Rykiel tunic, women gradually adopted trousers as everyday dress in the 1970s. While the Sonia Rykiel tunic demonstrates a somewhat ambivalent acceptance of trousers, this tan wool pants suit from our Study... Read Article ››
Sybil Connolly
The handling of homespun fabric in a sophisticated manner is the forte of Sybil Connolly.1In 1953, Irish designer Sybil Connolly was "discovered" by a group of American department store buyers and fashion reporters visiting Ireland. Having worked as... Read Article ››
Yoshiki Hishinuma
Popular conceptions of Japanese textile design usually focus on textiles similar to the sky-blue stenciled and embroidered silk seen in this 19th century kimono dressing gown. Made of natural fibers and featuring patterns and motifs borrowed from the natural... Read Article ››
Texture in fashion
Color and pattern are usually the first aspects of a garment to catch the eye, closely followed by silhouette. But what about texture? Though texture might not be the first thing we notice, it plays an important role in establishing the mood of a garment.... Read Article ››
Irene Castle dancing cap
Between 1911 and 1917, Irene and Vernon Castle were at the forefront of a "craze" for social dancing. Usually called "modern dance" at the time, social dance was promoted as form of healthy and enjoyable recreation. Accompanied by lively... Read Article ››